Posted in August 2012

voice actors, when faced with a bad radio script

Yes, most radio scripts are crap and the language is pandering and often grammatically incorrect. But the first two minutes of a recording session is not the time to channel your inner English teacher. You have to understand that this piece-of-shit script has been approved and rewritten and revised and re-approved through five clients and twelve agency levels. So, grit your teeth and go with it for a while. Let them hear what they’ve written. (I have subtly and inappropriately emphasized some errors on a take or two to wake them out of their grammatical torpor.) If they don’t get it, wait till the end or when your intuition tells you and say, “Can I try something?” or “Sorry, my insane English teacher mom is in my head and…” or “I might be wrong and we might be just being colloquial here but…”

In other words, it’s not your script. It’s theirs. But make it yours.

Oh, some words of wisdom, not mine…

1. Speak impeccably.

2. Don’t take anything personally.

3. Assume nothing.

4. Do your best.

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adventures in radio advertising: me and mike tyson, part two

After two minutes of this hilarity, which seem like a thousand, Mike picks the script back up and reads it again. Even worse than the first time because now he’s laughing.

“Buster Douglas. Big left hand. Tough in the clutch. Almost killed a man. Tokyo. Tokyo.” Mike stops laughing. “I got to go.” And I have nothing. Mike is standing up.

I say, “Hey Champ! Can we try it one more time?”

The crowd says, “Hey! We got places to go! Big Mike ain’t your bitch! Champ ain’t here for you.”

The fact that he actually is here for me seemed to escape the mob.

So I turn to his manager who is sitting behind the wheel of the RV. I said to him, “This time, Mike, let’s read it really slowly and really clearly.”

His manager looks at me, looks up at Mike and says, “Mike, what the man wants you to do is read it really slowly and clearly.” Mike nods his head…

“Buster Douglas. Big left hand. Tough in the clutch. Almost killed a man. Tokyo. Tokyo.”

Good enough. Mike crumples the script in his giant paws, drops it on the floor and heads to the door. In my own little, manipulative, advertising copywriter sort of way, I’d won.

Mike stops at the door, turns to me and says, “You know, you look like a Nazi.”

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my next voiceover class – comedy and your authentic voice

All, the class is filling up so sign up now!

“Comedy and Your Authentic Voice”

A four-week class where we discover your authentic voice and build comedy, character and story from there. Fast-paced, piles of great scripts and a minimum of lecturing. In fact, no lecturing. Writers and copywriters invited to excavate their comedic voices, as well. Directed by voice acting guru, Sam Pond. Classes held in our awesome professional recording studios. All levels welcome. Four Wednesdays, 6:30-9:30, September 12 & 19 and October 3 & 10.Tuition: $325

http://www.pondsf.com/build/classesworkshops/

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adventures in radio advertising: me and mike tyson, part one

I’m sitting in a sunbaked RV in the parking lot of Johnny Taco’s Ringside Gym in Las Vegas waiting for Mike Tyson – the Tyson who was on top of the world. He’s inside shooting a TV commercial. I was there to record Mike’s voice, a simple recording of his innermost thoughts about his upcoming opponent. I told the sound guy, “Look, I have no idea what’s going to happen so as soon as that door opens, start recording. No matter what happens, keep recording.”

The door burst open but it’s not Mike. It’s six guys bigger than Mike Tyson. The entire RV rocks as these monstrous human beings shove and laugh and fling themselves onto the built-in furniture. I am pinned between two of them. They stop laughing and stare at me like I was a big bug that plopped from the ceiling.

“What are you doing in Mike’s trailer? Yeah, what’re you doing here, little man? This is Mike Tyson’s trailer!”

I didn’t have time to answer because the door slams open again and Mike Tyson stomps in, flops down directly across from me and gives me a “Now what the fuck do you want from me?” look.

I say, ”Hi, Mike, thanks for doing this. It’s a really short script and we’ll do just three or four takes…”

Mike snatches the paper out of my hand, looks at the sound guy and gives him the “start-rolling” finger gesture. Then mumbles my script unintelligibly…

“Buster Douglas. Big left hand. Tough in the clutch. Almost killed a man. Tokyo. Tokyo.”

Then hands it back to me like he’s John Fucking Gielgud. And you know what I say? “That’s great, Mike. Great start. Now this time…”

Mike stands up, leans over the table right in my face says, “You know, I’m not interested in being here!”

I straighten up and say, “You know, Mike, Me neither. Are you guys fucking interested in hanging out in an oven hot RV in the parking lot of Johnny Taco’s Crappy Ringside Gym in some shithole neighborhood of Las Vegas, when you could be out drinking Crystal and getting lap dances at the Pony Club. Not fucking interested.”

But I didn’t say that. I couldn’t even think that. I said, “Yes, Mike, I totally understand, that’s cool…”

Mike holds his hand to my face.

“Wait wait wait. What you say? That’s cool? That’s cool? That’s cool.” Mike turned to his gang and says, “Man’s gone all urban on us! He’s talking like a brother!” They all burst into howling laughter. “That’s cool! That’s cool! “He thinks he’s all street and shit. Talkin’ like a brother.”

After two minutes of this hilarity, which seem like a thousand, Mike picks the script back up and reads it again. Even worse than the first time because now he’s laughing.

To be continued…

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free introduction to voiceover class in san francisco

If you’ve ever dreamed of a career in voiceover, now is the time to do something about it. This free introduction to professional voiceover class in San Francisco is just the thing to get you going.

You’ll meet teacher and voiceover guru, Sam Pond, and learn about the business, how to access your authentic voice, and the right way to discover the character voices inside of you.

Bring every question you got. We’ll even have a mic and some scripts at the ready so you can try taking a little direction then hear what you sound like. The whole thing is fun, interactive and mind-opening.

Register now! 12 student limit. All introductory students will get a 10% discount to the following week’s “Comedy and Your Authentic Voice” course if you sign up that night!

Classes held at our studio at 1160 Bryant Street near the corner of 10th, SOMA.

Wednesday September 5th at 6:00.

 Sign up at http://www.pondsf.com/build/classesworkshops/
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yelling in a voiceover booth is funny

I think it’s funnier than hell when two people shout at each other because they’re in different rooms or in noisy places. Or when they’re both wearing hearing aids.
For example, I was producing a script where two people were talking in a nightclub. A very funny script based on miscommunication. They started as if they were cozied up shoulder to shoulder at the bar. But it got really funny the louder they got, as if the music was drowning out all reasonable conversation. Finally, I just pumped horrible club music into their headphones and they had to not only yell to be heard, but they had to enunciate every word. Which created pauses because the other person had to take a moment to try and understand. The combination of yelling and enunciating and trying to communicate was, well, hilarious. And it made us all realize how exhausting trying to communicate in a nightclub is. Because it’s not possible. I guess that’s why people dance.
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freshly produced radio!

Freshly cast and produced this spot for the gang at Butler, Shine, Stern & Partners. Pretty darn funny. Featuring the one and only Tom Kane and the one and only Debra Mooney.


For writers and producers: Below you’ll see the end of the original script. And while the idea was really funny, the end of the spot needed a boost. It needed to cross the line. We recorded the talent separately but covered off the VO with some extra (and increasingly perturbed) “found” ideas, then covered off the female talent with some wild lines. After that we just goofed off with the editing until it made us laugh. Thanks to an open-minded client and agency folks for their help and support.
Goofing off can be very productive.
Original Ending:
WOMAN: Oh what the heck neighbor, look at me standing on ceremony when I should be letting myself in.
VO: Found: Locksmiths.
WOMAN: Ready or not, here comes your neighbor.
VO: Found: Moving companies. Relocation experts.
VO: The YP Real Yellow Pages℠ directory, YP.com℠ site and YP℠ app…

your authentic voice in comedic voice acting

Sometimes called the hero voice but that’s stupid. Your authentic voice is what you sound like when you’ve surrendered the ego. You’re just talking. Sometimes you’ll hear, “Talk like you’re talking to your best friend.” That’s terrible advice. We put on a show for even our closest friends. Your authentic voice comes out when you stop giving a shit. When you let the words drop out of your mouth. When you don’t filter what you’re feeling in that moment. Your authentic voice is the one that speaks to your authentic self. You have no judgments or preconceptions. You speak to be heard. To reveal yourself.

You know all that chatter in your head? Those voices? Those aren’t you. That’s the ego screaming to be heard. To chastise you, to worry about the future, to beat yourself up about the past.

Greg Dean, the great comedy teacher in LA, speaks in this youtube video, he claims that the voice inside your head is the “real you.” I, and lots of other commenters, completely disagree. Those are the voices in your head. For comedy, awareness of these and speaking them out loud is extremely funny. But only if you have some kind of awareness. Otherwise you’re just a maniac.

Here are two great examples of voice actors who were entirely present in the booth, speaking from their authentic voices. You can’t help but listen. Mary Gross in this spot for ooma. And the amazing Lorenzo Music in this spot for Sutter Home Wine.

Here’s an exercise I ask my students to do. The next time you’re driving in your car, listen to those voices, recognize them, then speak them out in real time. This not only makes you aware of the screaming of your ego, you disempower them. They just want to be heard. The listener is you. And when the listener speaks, that’s your authentic voice.

free upcoming intro class, a friendly reminder

San Francisco – Wednesday September 5th at 6:00.

If you’ve ever dreamed of a career in voiceover, now is the time to give it a try. This free introductory Professional Voiceover class is just the thing to get you going. You’ll meet teacher and voiceover guru, Sam Pond, and learn about the business, how to access your authentic voice, the right way to discover the character voices inside of you and how to befriend a microphone.

Bring every question you got. We’ll have a mic and some scripts at the ready so you can try taking direction then hear what you sound like. The whole thing is be fun, interactive and mind-opening.

Register now on our mailing list! 12 student limit. All introductory students will get a 10% discount to the following week’s “Comedy and Your Authentic Voice” course if you sign up that night!

All classes are held at our studio at 1160 Bryant Street near the corner of 10th, SOMA.

 

For more information, click here.

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so your voice isn’t perfect. perfect.

I get so frustrated casting in Los Angeles sometimes. It feels like every young man between 22-32 is the same person. They’re like the Borg. Light California accents, lots of good, positive energy, very little personal point-of-view. It’s like they’ve all sat in a room, watched the same bad TV, listened to the same bad radio spots and said, “Let’s all do that!” There are some incredible exceptions. I like imperfect voices. They make me lean in. Lisps, odd rhythms, ineffable underground emotions, odd ticks, weird outbursts. We all have them. We’ve subjugated them out of fear of not being accepted. Don’t let some factory voiceover teacher smooth you out. And don’t model your voice after what you hear on the media. That’s the Borg speaking. I love your voice. It’s you.

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